Backgrounder Article from  Parks Canada

The Canadian War Memorials Fund

The Canadian War Memorials Fund (CWMF) was a charity initiated by Sir William Maxwell Aitken (subsequently Lord Beaverbrook) in November 1916. It was Canada’s first war art program and established the ongoing tradition of using artists to depict Canada at war.

The Fund was an outgrowth of the Canadian War Records Office (CWRO), an organ of the Canadian government founded in February 1916 and directed by Beaverbrook to document the conflict from a Canadian perspective in film, photography and print. The material he collected for the CWRO included official daily reports, maps, photographs and war diaries among other types of documents.

Beaverbrook’s new project of commissioning and collecting original works of war art was prompted in part by a lack of official war photographs, especially after the Second Battle of Ypres and the battles of Festubert, St. Eloi and Givenchy, which went largely unrecorded, at least visually. Post-battle paintings that reconstructed the events were criticized for lacking conviction. Worse, fake photographs and films purporting to depict elements of the battles began to be produced. Beaverbrook also believed that photographs had a maximum lifespan of 25 years. Only paintings, he believed, would survive long enough to convey a message about Canadian activity during the First World War for posterity.

Although Beaverbrook had formidable obstacles to overcome in trying to provide access to the front for artists and reporters, he eventually succeeded in moving artists into the theatre of war. These artists received military commissions and, as employees of the Canadian War Memorials Fund, compensation for materials, studio space and their completed works. In general, Beaverbrook and his partner the art critic P.G. Konody, commissioned oversized works in the tradition of historic battle paintings, with some smaller, more documentary works. Beaverbrook and Konody emphasized fieldwork and insisted that artists spend time on the battlefield making sketches that could later be transformed into canvases.

Nearly 1,000 paintings, photographs, drawings and films by over 100 artists, one-third of them Canadians, were commissioned. The Fund thus contributed to the artistic development of a number of important Canadian artists by providing them with salaries, commissions, supplies and media attention at a time when art production was little valued. The Fund paved the way for the growth of a young Canadian art scene by bringing together artists, curators, archivists, patrons and art institutions.

The hundreds of paintings, drawings, photographs and films produced for the Canadian War Memorials Fund were exhibited in London just after the war, as well as through the 1920s and 1930s, usually to warm public and critical acclaim. The collection was ultimately placed in the National Gallery of Canada. In 1971, most of the works were transferred to the Canadian War Museum, where they remain. The collection of the CWMF illustrates, commemorates and illuminates the Canadian experience of the First World War through the expression of Canadian artists.

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Source of the Image:
Gerald Moira
No. 3 Canadian Stationary Hospital at Doullens
Image # CWM 19710261-0427
Beaverbrook Collection of War Art
Canadian War Museum

 *Permission to reproduce obtained from Canadian War Museum on February 5, 2016*.

Gerald Moira
No. 3 Canadian Stationary Hospital at Doullens
Image # CWM 19710261-0427
Beaverbrook Collection of War Art
Canadian War Museum 

*Permission to reproduce obtained from Canadian War Museum on February 5, 2016*.

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Hon. Catherine McKenna Parks Canada History and Archaeology

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